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Picked and Chosen Chief guest on a round-the-world peace cruise? Why pick Rishma Malik
for that? Well, the spunky Channel V veejay calmed the rowdy crowd at a peace concert in
Mumbai this August. Present there, and impressed, were members of a Japanese NGO,
organisers of the cruise. Now Malik will join the ship on its Australia-Thailand-Mumbai
stretch this month. "I'm glad someone's interested in my mind, not my body," she
smiles. Can't say the same for Sting's son Joseph Sumner at the post-Channel V Awards do.
The two did more than just party that night. One way or another, she makes an impression.
The First Leg
Govind Nihalani doesn't do things by halves. So not only
does his first all-out masala movie, Takshak, star Tabu and Ajay Devgan, he's roped in
model Nethra Raghuraman. Winner of the 1997 Femina Look of the Year Contest, Raghuraman
plays a pop star in the film and even gets to belt out three A.R. Rahman numbers in Hemant
Trivedi-designed glam rags. "I wanted someone very dusky, a young Whitney Houston
type," says the director, who was struck by the first-timer's "positive
energy". Not to forget a pair of legs that never end.
Two Unlimited
They've had a dream run together. No
wonder Juhi Chawla and Shah Rukh Khan are calling their just-launched production company
Dreamz Films Unlimited. Sounds suspiciously like Spielberg and gang's Dreamworks? Looks
like they hope to imitate the success too. The firm's first film not only stars Chawla and
Khan, the director is Aziz Mirza, same man who made last year's runaway hit Yes Boss.
"Hit pair, great look, what else can you ask for?" muses Mirza. Another hit
film, boss?
Cawing on Cue
If Babe the pig could be the star of Babe, why curb
a crow's ambitions? The feathered presence in Shiamak Davar's video for the song Jhoot
bole kauva kaate has now resurfaced in the film of the same name. For the video,
Polygram trained five crows over one-and-a-half months to get used to human touch, then
taught them to react to hand signals and caw on cue. As for the film, director Hrishikesh
Mukherjee first used a dummy, then superimposed the live bird on the scenes. All this, he
explains, "because there's a natural association between jhoot (lies) and
the kauva (crow). I just wanted to show that lying doesn't pay."
Perfectionism, we hope, does.
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