India Today Books

METRO TODAY   |   DAILY NEWS   |   ASTROLOGY   |   ARCHIVES    |   INDIA TODAY    |  HOME

India Today issue dated September 13, 1999
Sept 13, 1999

CoverStory

Elections 99

Columns

Newsnotes

From the
Editor in Chief


Editorials

Eyecatchers

Voices

Defence

Cinema

Books

States

Bodyline

Centrestage

Issue
Contents

BOOKS
Malgudi Magic

Memories of a small town we call home.

By Ashok Malik

A TOWN CALLED MALGUDI
BY R K NARAYAN
VIKING
PAGES: 642, PRICE: Rs 395

INDIA AGAINST ITSELF

Malgudi may have been a figment of the writer's imagination. R.K. Narayan says he just happened to write "the train stopped at Malgudi" in one of his early short stories, Swami and Friends. The author got off there, and has remained there ever since. And so have his ever-burgeoning readers.

But not only is this small provincial south Indian town, with its clock-tower, dusty lanes, Market Road, town square, Town Hall, etched indelibly in the mind, his vast repertoire of characters appear so real that -- like those in a daily soap opera on television -- they too take up residence in the reader's mental neighbourhood. Just as his most ardent fan and promoter, novelist Graham Greene, had created a moral landscape called Greeneland, Narayan has conjured up a self-contained little world, no less a mini moral universe, his everyman no less emblematic than the perplexed common man in the cartoons of his brother R.K. Laxman.

This new collection of the nonagenarian writer makes some of his best prose accessible to a wider readership. Edited by S. Krishnan, it includes masterpieces like the novel Maneater of Malgudi and short stories "A Horse and Two Goats", "An Astrologer's Day" and "Salt and Sawdust". Unfortunately, characters like Swamy and Chandra are missing. Perhaps Krishnan should have included extracts from The English Teacher, The Vendor of Sweets and Mr Sampath.

The introductory essay should have been more comprehensive. Similarly, the prefaces to the novel and novella ought to have been more insightful. Moreover, the stories are bunched together without any connecting thread. Despite these lapses, the collection is a worthy read, showing up much of contemporary Indian writing as synthesiser literature, often tossed up by fashionable themes like incest.


Teardrop called Assam

Finally a scholarly and focussed book on the troubled state.

By Sanjoy Hazarika

INDIA AGAINST ITSELF
BY SANJIB BARAUH
UNIVERSITY OF PENNSYLVANIA
PAGES: 257

Through this compact but clearly written book, Sanjib Baruah has done a signal service to India and its north-east, particularly Assam. For after years of didactic compilations of seminar papers, edited by well-known, well-meaning but inchoate scholars, and desultory efforts at leftist analysis of a set of complex problems, we finally have a solid book on the historical background to the critical issues that confront Assam.

What is especially remarkable about Baruah's effort is that he has placed it in a universal setting, talking first about national and sub-national narratives and compulsions, linguistic and ethnic identities as well as contemporary discussions of social constructions. He opens his book with such a sweep: the "Assamese case, while at one level seeking attention to the cracks in the imagination of hegemony-seeking, pan-Indian elites, also provides a dramatic example of internal challenges to the self-representation of the Assamese nationality".

Later he goes into some detail over those challenges, especially that from the Bodo community. One of the original settlers of the Brahmaputra valley, it brought settled agriculture and introduced silk weaving into the region but has been marginalised. Militancy among Bodos has its roots in the paternalistic attitude of the Assamese caste Hindu elite and Baruah has done well to point to this and other hurdles.

On the question of migrants in Assam, Baruah structures his discussion around known facts but re-emphasises how tea began to play such a critical role in Assam. He talks of how language resonates as a weapon of the seemingly threatened group, the Assamese speakers, against a powerful opponent: essentially, Bengali speakers.

Of course, there is more to Assam and the North-east than all this. Baruah, in a breezy manner, tries to do justice to all, ranging from ulfa to governability, the difficulty of even developing a non-centralised, extremely federal system of governance. This is a tall order and he just does not have the space to cover the vast range of issues.

In the process, there are problems with the organisation of the book. Nor is he tough on separatist groups that have become little else but armed marauders and extortionists. There is not a reference to an important benchmark in his essay on human rights: the brutal murder of Sanjoy Ghose by ulfa. Also, Baruah has scarcely dwelt on the Cabinet Mission Plan that threatened to carve out Group States based on religion and numbers and would have lumped Assam with Muslim-majority Bengal, sealing its fate with East Pakistan. That this didn't happen was due to the Congress and its leaders like Gopinath Bardoloi.

It is irritating to find constant references by Baruah to how he is going to "dwell" in chapter so and so on such and such a problem. Let the narrative flow. And ensure that when you write about the Ahoms you get the history of that great 600-year-old kingdom right. Godapani was the dispossessed prince and Lora Raja the cruel despot who tortured the former's wife to death. One was not an alias for the other.

An important underpinning of the book is the constant presence of Bhupen Hazarika though his music, poems and songs. In a song last year, Hazarika asked: "If we seek the sunrise, then why do we rush to embrace the sunset?"

That is a question that still hangs perilously over Assam.

AUTHORSPEAK
SHASHI DESHPANDE

Labourer of Love
A granny who writes in an old-fashioned way

Early this year, the New York Feminist Press republished Shashi Deshpande's A Matter of Time (a 1996 Penguin publication) to felicitous reviews in the western media. "It is right for this stage of my life," she says, "each novel reflects a particular stage of the writer's life." But that's perhaps expected with Bangalore-based Deshpande, 61, who describes herself as a low-profile, shy writer: "Just call me a novelist, not a woman novelist." The short-haired grandmother loves to channel her energies into good writing. Spending six hours a day on her first-floor study -- five to six drafts in longhand before the text lands on a computer "that has crashed so many times" -- Deshpande has just taken four years to pen her eighth novel.

Yet untitled and all of 250 pages, Penguin is putting its final touches to the manuscript. "It's a very different kind of novel, moving away from all my earlier works," says the 1990 Sahitya Akademi winner. She won the award for That Long Silence, a book "that was more autobiographical, at least in my thinking and ideas". The new work is "about women, it concerns the feminine sex but the approach is from a larger focus".

Daughter of dramatist and Sanskrit scholar Sriranga, Deshpande was educated in Dharwad, Mumbai and Bangalore. Armed with degrees in economics and law, she was a journalist with Onlooker initially. Her first short story was published in 1970, followed eight years later by Legacy, a collection whose title was inspired by Somerset Maugham. "I am slow," she confesses. "I take four years to write one novel." But she's disciplined, writing from 5.30 a.m. to 7.30 a.m. and then 2.30 p.m. to 6 p.m.

What hurts Deshpande is critics stereotyping her as a "women's writer on middle-class issues". She regrets that "good writing is scarce" because people, neo-writers, are in a hurry to get under the spotlight: "Integrity is important. Good writing has its own strengths more than being dependent on marketing techniques to sell." There's the analogy with art cinema. "Unfortunately I cannot write for a commercial-type market," she smiles. The decline of reading itself, as a consequence of TV, also worries Deshpande. It should worry somebody who recalls being only eight when she read her first classic: Jane Austen's Pride and Prejudice.

-Stephen David

Top

Back | Next

 

ITGO

BUSINESS TODAY | INDIA TODAY PLUS | COMPUTERS TODAY
TEENS TODAY | MUSIC TODAY |
ART TODAY | NEWS TODAY | SYNDICATIONS TODAY

Write to us | Subscriptions | Advertise with us
© Living Media India Ltd