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September 4 Issue




COVER
 

Green Berets
A few single-minded crusaders fight for India's wildlife-or what's left of it environment.

 
ECONOMY
 

Perform Or Perish
Rich states protest against the precedence to poverty over performance in allocation of funds.

 
THE NATION
 

Whimsical Goodbye
Uma Bharati's reckless streak shows up again, this time making her quit the Lok Sabha.

 
Columns
 

Fifth Column
by Tavleen Singh
Rewarding The Brats

 
 

Kautilya
by Jairam Ramesh
Naidu's Wrong

 
 

Right Angle
by Swapan Dasgupta
Shoring Up Our Nerves

 
 

Politically Correct
by P. Chidambaram
Let The Market Decide

 
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  Obituary  
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NewsNotes
 

Language Barrier
These are nightmarish days for officials and other staff at Parivahan Bhavan...

 
  Dwelling On Correctness
Politicians are normally not known to vacate government premises...


 
 

Yielding Place To New
The day the Jharkhand is officially created, Raj Bhawan in Patna will have a new occupant...

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ENTERTAINMENT: CINEMA
DUB AND BE DAMNED

A Bengali actress claims she dubbed for Kiron Kher in her award-winning film. Did the Khers mislead the jury?

By S. Kalidas and Labonita Ghosh

 Kiron Kher: Voice Trouble

Did she or did she not? That is the million dollar question. With Kiron Kher winning the National Award for best actress for her lead role in the Bengali feature film Bariwali (directed by Rituparno Ghosh and produced by Anupam Kher) a shrill controversy is now raging over whether she dubbed the film in her own voice or not.

Kiron may not be a prolific actress but few will deny that she would like to be remembered as an actress of substance. From Darmiyan to Sardari Begum she has been the diva of the offbeat. So when she is not anchoring gender and issue-based talk shows for television channels she is doing major roles in art cinema celebrating the marginals.

But great actors invariably get embroiled in petty controversies. Doing roles in a language in which one is not fluent is never easy. Add to this the categorical claim by a Bengali television and film actress, Reeta Kayral, that contrary to Kiron's claims, she, Kayral, had dubbed the entire role for Kiron. Here you have a full-blown fracas with accusations and clarifications flying across the sharply polarised film world between Tollygunje and Bollywood.

According to Kayral, she dubbed for Kiron based on the pilot track (the "live" sound during shooting) which had Kiron's voice, including some lines spoken in Hindi when Kiron had her back to the camera. "Otherwise, why would the director pay me to do it?" she asks. And moreover, why would the producer offer her half of the award money? "Anupam Kher called me several times. He wanted to know about the dates of the dubbing, etc. Then he said that I deserved 50 per cent of the National Award remuneration if I had dubbed for Kiron," says Kayral.

Kayral claims she has dubbed every frame of the film from dialogues to weeping and breathing, including the complicated climatic scene where Kiron is holding onto the cupboard and crying. This scene was so difficult, says Kayral, that "I literally did the dubbing for that scene with glycerine in my eyes".

With Kher negotiating the release of the film in Bengal around Durga Puja, neither Kayral nor anyone else in Calcutta has seen the final print of Bariwali as yet. But Kayral says people on the jury, particularly the chairman, Goutam Ghosh, have told her that they recognised the voice as hers. "Goutamda said to me, 'I have known Kiron for a long time and I know she cannot speak such good Bengali'," says Kayral, who played a cameo role herself in Aparna Sen's Paromitar Ek Din, the other contender for the National Award.

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