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September 4 Issue




COVER
 

Green Berets
A few single-minded crusaders fight for India's wildlife-or what's left of it environment.

 
ECONOMY
 

Perform Or Perish
Rich states protest against the precedence to poverty over performance in allocation of funds.

 
THE NATION
 

Whimsical Goodbye
Uma Bharati's reckless streak shows up again, this time making her quit the Lok Sabha.

 
Columns
 

Fifth Column
by Tavleen Singh
Rewarding The Brats

 
 

Kautilya
by Jairam Ramesh
Naidu's Wrong

 
 

Right Angle
by Swapan Dasgupta
Shoring Up Our Nerves

 
 

Politically Correct
by P. Chidambaram
Let The Market Decide

 
Other stories
  The Nation  
  Sports  
  Neighbours  
  Lifestyle  
  Obituary  
  Cinema  
  Entertainment  
NewsNotes
 

Language Barrier
These are nightmarish days for officials and other staff at Parivahan Bhavan...

 
  Dwelling On Correctness
Politicians are normally not known to vacate government premises...


 
 

Yielding Place To New
The day the Jharkhand is officially created, Raj Bhawan in Patna will have a new occupant...

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CINEMA: BARIWALI
The Cards Before the Jury

When a film is entered for competition for a National Award, its producer has to specify if it has been dubbed in the actors' own voices. In this case, it is learnt that Kher had ambiguously filled the word "redubbed" in the form. To add to the confusion Rituparno has said he hasn't yet seen the final print. "Now, is that not incredible?" asks Kayral.

Sources within the jury and the Government disclose that the jury was deeply split over this film. The Bengali speaking members were convinced that it was not Kiron's own voice, but in the face of a written declaration by producer Anupam Kher to the contrary they had to take it at face value. There were some members who held that voice and dialogue articulation were a vital part of acting. The opposing group (said to have been led by Mumbai director Saeed Akhtar Mirza) insisted that Kiron's body language and expressions were of such high quality that dialogue delivery wasn't of much consequence. They also cited the precedent set by actresses like the Malayalam speaking Sharda who have been honoured for roles in regional films where their voices had been dubbed by others.

"Our work as jury ends with the selections," says Goutam. "The rest is up to the festival directorate to investigate. If Reeta Kayral can prove it's her voice, then some steps need to be taken. An easy solution would be to give a citation and acknowledge the fact that she dubbed for Kiron. This should not detract from Kiron's acting."

While not willing to be drawn into the controversy herself, Kiron has told friends that she had learnt Bengali for six months before doing the film, but added the rider that even if the film was dubbed, there was a precedence of actors getting the National Award for roles in films where their dialogues had been dubbed by someone else.

Indeed, that is not the issue. The issue is whether the Kher couple gave a misleading declaration to the jury and the Films Division to the effect that Kiron had dubbed the film in her own voice. When asked for his reaction, Anupam Kher is both angry and hurt: "Instead of applauding that a non-Bengali mainstream actor has spent Rs 40-50 lakh producing a film that has won several international awards, they are trying to discredit a person who spent six months learning the language. It's a shame. Obviously, I won't be producing any more Bengali films."

Kayral on her part throws a challenge, "Let Kiron read out one page of the script in Bengali. I have heard her Bengali and it is awful."

Meanwhile the film has already bagged an impressive list of international awards including Best Narrative Feature at the San Francisco Film Festival, Netpac Award at the Berlin Film Festival, an audience rating of four out of five at Sydney and has also been invited to the London Film Festival in November.

One thing is certain, for the right reasons or wrong, when it is released in October, Bariwali is bound to run to full houses both in Bengal and beyond.

-with Anupama Chopra

Pg. 1

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The stock markets are humming, and it's feel-good time once again, writes INDIA TODAY Associate Editor V. Shankar Aiyar in
Au Contraiyar.

 
DESPATCHES  


Her Majesty's tongue is becoming a rage in Maharashtra schools, despite Thackeray's edict against it. INDIA TODAY Principal Correspondent Farah Baria captures the trend in Despatches.

 
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» 1971: The Untold Story
» Veerappan Strikes Again
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