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23 October 2000 Issue




COVER
  Sold On Sale
Discounts, freebies, lotteries and loans. Riding on the festival season, companies are using every conceivable marketing trick to lure consumers

 
THE NATION
 

Brothers In Arms
Though the CBI chargesheet against the Hindujas is silent on where the kickbacks ended up, it is still an important landmark in the 13-year chase

 
MUSIC
 

Hounds Of Music
With Visvabharati’s copyright on Tagore ending next year and the Centre refusing to throw in its weight, the poet’s music may be finally unshackled

 
Columns
 

Fifth Column
by Tavleen Singh
And Justice For All

 
 

Kautilya
by Jairam Ramesh
New Light On Power

 
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BOOKS

Being the Beloved

Homoerotic India has an indulgent past—and lots of poetry

By Ritu Menon

Same-Sex Love In India
Ed By Ruth Vanita and Saleem Kidwai
St Martin's Press
Price: $49.50

In 1861 the British in India passed a law criminalising homosexuality, marking a definitive break with what the editors argue as the earlier tolerant traditions of same-sex love. Our modern-i.e., 19th and 20th century-condemnation of it, they say, is in sharp contrast to the relative frankness and indulgence with which it was treated, both in society and in literature, from the Vedas up until the end of the Mughal empire.

Same-Sex Love in India: Readings from Literature and History is truly a labour of love. It is also an extremely useful compilation of material on same-sex love in India, accompanied by insightful analyses of contemporary social mores at the time that the poems, stories and novels were written.

The editors' objective was to see how, at different times and places, primary romantic attachments between men and between women were viewed-were they largely accepted, glorified or vilified?

At the outset, Ruth Vanita and Saleem Kidwai make an important distinction between same-sex love and casual same-sex sex. The latter, they believe, is behavioural, and may be devoid of emotional or erotic content; the former is often valued as a primary relationship, sometimes even over and above familial ties. As Krishna tells Arjuna: "Thou art mine and I am thine, while all that is mine is thine also! He that hateth thee hateth me as well, and he that followeth thee followeth me! O Partha, thou art from me and I am from thee!" (Vana Parva XII).

In ancient India the Vedas mentioned such a range of familial arrangements, non-biological parenthood and miraculous births, that they seem to dislodge the primacy of heterosexuality somewhat. Given the high degree of tolerance for the multiplicity of forms of love to be found in ancient texts, it would be foolish to imagine that one form of same-sex love would be either taboo or condemned. Because gender itself was like the body, a garment assumed at birth and shed at death, there was little rigidity regarding sex roles.

Puranic stories are full of accounts of sex-change-Vishnu into Mohini, Arjuna and Narada cross-dressing, and same-sex pairing, from which god-like beings are born. The legend of the birth of Ayyappa from Shiva and Vishnu (Bhagvata Purana) is one variant of this theme.

Far from the 8th century being the beginning of a period of moral decline-as some chauvinists would have us believe-the material in this book demonstrates just how richly varied our practices were between the 4th and 14th centuries, whether Hindu, Buddhist, Jain or Muslim.

If anything, it is the Koran that is unequivocal in its condemnation of same-sex love, but as Kidwai notes, orthodoxy was mediated by mysticism, and Sufism not only subverted the role of the clergy, it elevated the love between a devotee and his god to ecstasy. Much as bhakti had done.

The cosmopolitanism of urban Islamic culture made visible what Kidwai calls the "homoeroticism of the bazaar", an all-male space. Medieval poetry, thus, speaks of romantic and erotic interactions between men across class and religion, and Mir Taqi Mir's ghazals are replete with thinly-veiled references to them.

The point, of course, is not that same-sex love was the norm, but that it was treated with indulgence, and one of the strengths of this anthology is the wealth of examples it offers. A curious transition takes place in modern times: the minor homophobic voice of pre-colonial India becomes dominant, and sexual love between women is depicted explicitly. What accounts for this?

On homophobia, the editors blame moralising colonisers who succeeded in influencing nationalist social reformers on the evil of the "abominable vice". They point to the "heterosexualisation" of the ghazal as evidence of this. Poets like Firaq and Josh tended to camouflage their bisexuality, while lesbian love was/is usually presented as unnatural, depraved and abusive. Homophobia replaces indulgence. And although women may have emerged from the wings, only six or seven have been included here.

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