India Today Group Online
 


November 13, 2000 Issue




COVER
  All Out
With Azharuddin confessing to the CBI the lid is off on cricket's biggest scandal. As the net widens can the game's credibility be restored?


 
STATES
 

Burden Of Hope
Ajit Jogi takes over a state rich in surplus resources, but can expect teething troubles from expectant allies and disappointed rivals vying for the top post

 
STATES
 

Wasteland
Jyoti Basu leaves behind a state that is politically marginalised, economically denuded. His legacy: masterful non-performance.

 
Columns
 

Fifth Column
by Tavleen Singh
True Lies Forever

 
    Kautilya
by Jairam Ramesh
Banking on Dilution


 
   

Right Angle
by Swapan Dasgupta
Intrigues at the Very Top

 
    Politically Correct
by P. Chidambaram
Freedom Of Reach
 
    FlipSide
by Dilip Bobb
Book Fare

 
Other stories
  The Nation  
  The Nation  
  Investigation  
  Entertainment  
  Gender  
  The Arts  
  Living  
  Cyberchatter  
  Temples of Doom  
NewsNotes
 

Royal Meltdown

 
 

Twin-Pronged Strategy

More...

 
   

Lest We Forget

 
 



 
  Home  
 

LIVING: INTERIORS

A FASHION fOR DESIGN

Urban homes take on a new look as a boom in design and consumer demand sweeps the country

By Namita Bhandare
Photographs by Bandeep Singh

Teatime Tango: Bone china tea pot in a contemporary shape

Look around you. Take a good hard look. At your house, at your office, at the places where you shop, where you eat out, where your children go to study. Unless you're stuck in the Stone Age, chances are the explosion in product design has caught on with you. From bathroom tiles to teaspoons, candlestands to lamps, sandals to suitcases, Indian design seems to be waking up to a global avatar. Need a light fitting? Your local store has everything from modernist halogens in funky frosted-glass shades to copper holders for the more ethnically inclined. There's faux silver and marble and wrought iron. A lamp for every mood. Ditto for ceramics. Mediterranean colours, deep yellows and blues and your morning cuppa will never look the same again. As a trickle-down effect, Khurja potters now sell on street corners cool new designs in cool new shapes, obvious rip-offs from more upmarket stores but at a fraction of the price.

Innovation: Industrial metal scrap went into the making of this clock

"This is the age of design. How a thing looks determines how well it will sell," says Darlie O. Koshy, executive director of the Ahmedabad-based National Institute of Design (NID). "There's an explosion in design", agrees interior designer Raseel Gujral Ansal. Clients, she adds, are willing to pay for nice-looking homes. "There's a new breed of Indians who have their own homes, are self-employed and have the ability to spend."

Thanks to the media, customers now know what they want and the look they want to create as their style statement-art deco, minimalist, funky. "From being the stranglehold of architects and designers, the interiors industry is now addressing itself directly to users," says Alpa Sheth, a structural engineer based in Mumbai.

The consumer is king as the boom in home products and accessories comes at a time when bathrooms become "glamour rooms" and interior design magazines sell more than Arundhati Roy and Vikram Seth combined. Trade shows and mega exhibitions run to capacity crowds looking for the "latest" designer trends. Indian consumers who've stuck solely with function for decades are now saying: fine about the utility, but how does it look?

Changes in lifestyle are also driving the design explosion. In many joint families, for instance, it is not uncommon to come across TV sets in bedrooms, replacing the single family TV in the living room. Computers and computer furniture are taking the place of bookshelves in children's rooms. And as more and more women work out of home, there is need for an office space in the house. All of these mean new designs and new concepts in utilising space, says Mumbai-based architect Pinkish Shah.

Corresponding with this new trend, lifestyle or home stores have erupted all over the country. Old favourites like Mumbai's Contemporary Arts and Crafts and The Bombay Store have been joined by newer entrants like Tresorie and A A Living. In Chennai, Kalpa Druma sells a variety of handicrafts, furniture, interior textiles and fabrics, while Squisto Legno (literally, exquisite wood) in Coimbatore sells locally made craft items. In Goa, photographer Ritu Nanda's store, Camelot, continues to attract tourists, Indian and foreign, while Sangolda, a lifestyle store, opened earlier this year and Casa Goa, another lifestyle store that's been around for nearly a year now, showcases Goan design in ceramics, lace and furniture.

"Indians are becoming very design conscious but they're very price conscious too," says Abdullah Mohammad, managing director of The Home Store (THS) which already has five branches in Delhi and opened one in Jaipur in August. It plans to have 30 stores by 2003.

THS' USP, however, is to put on the mass market well-designed home products at a reasonable price. But the market is choc-a-bloc with products that straddle an amazing price range: from 22-carat gold-plated beds (cost: Rs 2.75 lakh) retailing in Delhi to wrought iron double beds (cost: Rs 7,000); from imported Italian marble (starting at Rs 200 a sq ft) to cement terrazzo floors (cost: Rs 15 a sq ft); from imported fabric for curtains (Rs 4,400 a metre) to elegantly embroidered bamboo chicks (Rs 20 a sq ft), there is something for every budget.

There is a group of well-travelled people which is aware of trends globally," says architect Sonali Bhagwati. "Now you have nicely done up shops with nice looking things." Adds architect and writer Gautam Bhatia: "Earlier, if you were doing a bathroom you'd use white tiles. Now, there's a glut in the market."

Ironically, despite India's vast crafts tradition, it took globalisation and the opening up of the economy to push Indian design. The boom in various imports from hardwood floors to jacuzzis hammered home one message to Indian producers: shape up or ship out. VIP Industries, the market leader in luggage, for instance, launched a premium suitcase range just as US luggage brand Samsonite came to India. (The US company sued but the case was dismissed).

The flipside, unfortunately, is an abundance of imports and foreign catalogue "inspired" goods. "This isn't design," snorts Bhatia, "it's consumerism." From the consumer's point of view it's a windfall. Shoddy, over-priced products are giving way to well-designed, well-priced goodies (imported computer tables for as little as Rs 3,500 are far cheaper than anything the local carpenter can hammer together). But this dependence on imports could signal the end of many Indian companies. "We will end up as a nation of imports unless Indian companies come up with global brands," warns Koshy.

That is easier said than done. "There is a huge amount of talent in the Indian design industry," says Amit Gupta, director of Vis a Vis, a design gallery in Delhi. "Unfortunately, our designers are not getting the freedom to experiment." Problems abound, the biggest being plagiarism: what's to stop the competition from simply lifting your design? Gupta tells of a designer who recently exhibited some really stunning glassware at his gallery. A biggish company wanted to buy the designs but before the deal could be signed, high-street retailers had begun flogging off copies. "It's part of the game," shrugs Natasha Chaudhri, a 25-year-old Delhi College of Art graduate who, in March this year, opened her design outlet, The Earth Shop, along with partner and co-designer Shilpa Gupta. "The trick is to change and fast before the competition can catch up," she says.

With lax copyright laws it should surprise no one that last year only 2,500 original designs were registered throughout India. India's crafts, meanwhile-with a few notable exceptions-seem frozen as drawing room conversation pieces. "Our emporia are stagnating," says Poonam Kalra, owner of design shop I'm Design. Initiatives in low-cost housing and energy-saving alternatives have remained mere experiments and the market seems geared only to a slick urban audience, says Pinkish Shah.

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