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Going
Beyond Square One
India
and Pakistan make subtle shifts in their positions on Kashmir, raising
hopes of a renewed dialogue and restoration of peace. Much will depend
on what happens during Ramzan.
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From The Editor In Chief
In
India, public fervour for cricket comes second only to religion. That's
why there is nothing more devastating than a fallen cricket icon. Sports
inspires us all because it is about clean victories that come from talent
and guts. But when a hero sullies this arena, he shatters our faith. And
that is what former Indian cricket captain Mohammed Azharuddin has done.
Last week's announcement by the Board of Control for Cricket in India
(BCCI) banning him for life came as a fitting culmination to the match-fixing
scam that the cricketing world has been entangled in since 1997. The lifetime
ban-a first-ever for Indian cricket-is a sad epitaph for Azharuddin, known
in cricketing circles as the "comeback man" for his uncanny
ability to bounce back after every slump.
Azharuddin's
story, from shining light to tainted darkness, is like a Greek tragedy.
A shy, back-alley boy from Hyderabad with loads of talent is catapulted
to fame. His life changes gears and he moves into high society, developing
a penchant for designer clothes and fast cars. But somewhere along the
way, he puts aside talent and succumbs to ambition. Greed becomes his
fatal flaw. Today, with his genius handcuffed forever, he cuts a solitary
fallen figure-a sad example of a man who got completely corrupted by the
system.
To analyse
the fall of this much-maligned cricketer, we got Associate Editor Sharda
Ugra, who has met Azharuddin many times since the beginning of his career,
to psycho-profile him. Besides, Principal Correspondent Sayantan Chakravarty
in Delhi dug into details of his misdeeds and Special Correspondent Sheela
Raval in Mumbai investigated his underworld connections. Says Ugra, who
anchored this week's cover story: "The change in him was radical.
Money, fame and power turned him into another person." One more Indian
hero bites the dust.

(Aroon
Purie)
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Ayodhya
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