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From The Editor In Chief
For
the second time this month we are running a cover story on the inroads
made by organised crime into the Mumbai film industry. Since entertainment
tycoon Gulshan Kumar was shot down in August 1997, this is in fact our
fourth cover on a chain that seems to be growing longer by the week. That
mafiosi spread from Karachi to Kuala Lumpur have been buying into the
Hindi film business, demanding protection money from top producers, grabbing
distribution or music rights and even asking top stars to "cooperate"
with select producers is, frankly, old hat. In the past week, the murky
equation acquired a third dimension with the arrest of diamond merchant
and film financier Bharat Shah. Should the net spread wider, the impact
on the gems and jewellery trade, among India's biggest export earners,
could be massive. The stock markets-Shah and his compatriots are reckoned
to be big investors-have been quicker to react: the Sensex fell 63 points
the day the police knocked on the diamond king's door.
The
movie industry has always been an amorphous business sector. Since films
are highly risky ventures, they have tended to attract money launderers
and other fly-by-night operators. Cinema's new economy has fine-tuned
this business model to perfection. Gangster filmwallas now sign on only
big stars or acquire, say, the overseas rights of a film already successful
in the domestic circuit. The Mumbai-Karachi bhais operate through respectable
fronts and the Mumbai Police say Shah is one such. To trace his rise and
fall, we sent Special Correspondent Uday Mahurkar to Shah's native village
in Palanpur, Gujarat, while Special Correspondents Sheela Raval and Anupama
Chopra kept track of government and industry sources in Mumbai. Says Raval:
"What we've seen is only the tip of the iceberg. The police plan
more arrests shortly. At least one matinee idol may be implicated."
Cricket-mafia links one year, Bollywood-mafia relations the next and now
the Bollywood-business-mafia nexus. Indians need to find new heroes.

(Aroon
Purie)
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Sagarika
Ghose's The Gin Drinkers is easily the best diaspora novel set in India
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connections in Despatches.
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