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METROSCAPE
The Other
Space
News
at 10," screamed the screen as a pearl-clad Clytemnestra is interviewed
about her family. Then come mutilated bodies, weary faces and neat lines
of army helmets-remnants of years of battle. This sense of impending doom
in Aeschylus' classic Agamemnon was given a contemporary twist by interweaving
traditional elements like the chorus with live Hindustani music and projected
visuals.
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| In the thick of a tragedy: The
Industrial Theatre Company does Agamemnon |
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The performance, at Sakshi
Art Gallery in Mumbai last weekend by Industrial Theatre Company, was
the first by a newly formed four-member group committed to popularising
alternative spaces for theatre. "There is something dead about the
usual theatre experience," says director Rehaan Engineer, who favoured
the stark walls and the rough, industrial look of the gallery to the tedious
backdrop of an auditorium. The group has within it a cinematographer,
an ex-dotcommer, a first year literature student and drama school graduate
and plan four self-sustaining projects a year. So not hiring a theatre
makes sense.
-Himanshi Dhawan
Image
Breaker
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Banaras buff: Kumar in his studio;
Varanasi |
Incessant image-breaker
Ram Kumar, now 77 with over 40 solo shows, just keeps going back to Banaras.
This time, at his show in Delhi's Vadehra Art Gallery, the holy city's
famed riverfront is again brought into abstracted focus, much like Kumar
has been doing since his pleasurable discovery of non-figuration in the
late 1950s. (Before that, as a student in post-war Paris under Fernand
Leger, Kumar became a stickler for the chunky iconography of quasi-cubism.)
Through the last four decades he has recorded Banaras' every topographical
possibility-with boats, without boats, map-like aerial views, lozenge-shaped
temples stuck together like matchsticks, arches, stairs and steps running
over each like organic relics. And in almost all the colours-ochres, steel
greys, peanut browns, dusty blues. Well, isn't he a bit tired of the place?
Actually, there's no reason why he should be.
Was Picasso ever sick of doing the still life with the skull and the candle
stand? Or Van Gogh of his sunflowers? For Kumar, Banaras not only initiated
abstraction, it also, as he says, became a pathway to inner awakening.
So while you watch his latest take on the city (along with some leftover
New Zealand landscapes), remember that they'll be more to come.
-Anshul Avijit
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