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March 12, 2001 Issue




UNION BUDGET
   

Good Economics,
Risky Politics

Defying the pressures of politics, Finance Minister Yashwant Sinha has come forth with a bold, hard budget. He has committed the Government to a slew of daring economic reforms through this year's budget. But, beyond the initial euphoria generated by sheer promises, lies a rough road to fulfilling them. Will the pressures of coalition politics and an irrational Opposition allow him to deliver?


Interview:
Yashwant Sinha

"It is my budget,
not the PMO's."

 

 
THE NATION
   

Smeltdown
The NDA Government handsomely wins a vote moved by the Opposition in the Lok Sabha against the privatisation of Bharat Aluminium Company (BALCO), but it should now start worrying about the poor response to bidding for strategic partnership of public-sector units.

 

 
CARE TODAY
   

Progress Report
With an overwhelming response from readers, the CARE TODAY society had funds flowing in from all quarters to aid it in its efforts to help those rendered homeless and jobless by the devastating earthquake of January 26.

 

 
STATES
   

Reeling Estate
Gujarat is witnessing a strange phenomenon with the two hands of the Sangh Parivar, the RSS and the VHP, earning public goodwill and the BJP leadership finding itself in the hot seat over links with the building mafia.

 

 
NEIGHBOURS
 

Bust to Dust
International outrage doesn't deter the Taliban militia from pushing ahead with its plan to destroy historical statues, including the 2,000-year-old Buddha statues in Bamiyan.

 

 
ARCHAEOLOGY
 

Piecing the
Ahar Puzzle
Excavations of sites from the 4,500-year-old Ahar culture provide clues to the link between the Harappans and their predecessors.

 

 
OTHER STORIES
     
 



 
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ARCHAEOLOGY: THE AHARS

Were they cow worshippers?

Piecing the Ahar Puzzle
Who Were the Ahars?
Were They Cow Worshippers?
Did the Harappans Learn From Them?

The excavations reveal a large number of bull figurines indicating the Ahar people worshipped the bull. At Marmi, a site near Chittorgarh, these figures have been found in abundance indicating it could be a regional shrine of the bull cult of this rural population. Discovery of cow-like figurines in Ojiyana, the first site found on the slope of a hill, has baffled archaeologists. Cow-worship was not a known Ahar practice. "There are no humps and we can see small teats,'' B.R.Meena, superintendent, ASI Jaipur circle, who undertook the excavation, says, "These are certainly cows.'' Other archaeologists suspect them to be bull calves but insist if further studies prove these to be cows, one could infer that the cow was a revered animal and the Hindu practice of treating the cow as a holy animal can thus be of pre-Aryan antiquity. There is no other evidence of idol worship or Harappan religious practices like worship of the mother goddess. The Harappans flourished in a far larger area, along the alluvial plains of the Indus and its tributaries, by the Saraswati, in Baluchistan and in the relatively semi-arid environment of Kutch and Saurashtra and the sandy south-western plains of Gujarat. But there is evidence that the Ahar people may have had links with Gujarat's Harappans.

Did the Harappans learn from them?

The technique of decoration in pottery known as "reserved slip" which was seen only in a few shards at the Harappan sites of Mohenjodaro and Surkotada in 2,400 B.C. is a very common feature at Balathal. This technique consists of putting a second slip over the earlier (lower) slip on the pot and then removing it in thin bands before it completely dries up. This produces various kinds of motifs like straight and wavy bands and criss-cross patterns in two colours. Says V.S.Shinde of Deccan College: "The Harappans apparently borrowed this technique from Balathal.''

Speculation about intense fire-modelling activity has been supported by the discovery of kilns at Ahar sites. The coarse pottery in the earliest levels of excavations confirms that Ahar culture grew independently of Harappans. In later levels, fine deluxe ware of three varieties was found. Decorated black-and-red pottery is a mark of Ahar culture distinct from the Harappan where the interiors of vessels was black. In Balathal, the black-and-red ware constitute only 8 per cent of the ceramic assemblage whereas in Ahar it is 70 per cent. Balathal apparently imported this ware from other Ahar sites. Tan ware, mainly dishes and dishes-on-stand very similar to those of the Harappans, and thin red ware appear only in the "fortification phase" of Ahar civilisation and suggest contact with the Harappans of Gujarat.

 

 

ANCIENT ARTEFACTS: Pottery from the Ahar culture come to light after 4,500 years. The Ahars knew advanced pottery techniques.

An unusual discovery last year was a set of six clay pots arranged inside a large clay jar in Balathal. Of the six pots three are large black-and-red bowls decorated with geometric designs in white. One of the other vessels contained steatite beads and flowers both of which were used for stringing into necklaces. "This, to me, is a lady's jewellery box,'' says Mishra.

Unlike other chalcolithic cultures which had stone tools, the Aharites made copper tools such as chisels, razors and barbed and tanged arrow heads, apparently for hunting. Probably, they had the advantage of access to copper from the Khetri mines and in the nearby Aravalli hills. There is evidence of copper melting too. Harappans probably imported copper ores and even finished copper goods from Ahar people.


 

 
 
 
Care Today
     METRO TODAY
 
   

MetroScape
Personality Matters Those behind the Grasim Mr India contest think it is one up over other male pageants.
But is it?
more...


Looking Glass

Mumbai: Swarovski Boutique

 
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DESPATCHES
 

The Keoladeo National Park Sanctuary in Bharatpur gets an unprecedented number of migratory birds due to the dry spell last year. But experts feel another drought could be disastrous, writes INDIA TODAY's Supriya Bezbaruah in
Despatches.

 

 
 
INTERVIEWS
 

"The only obvious competition is in bhangra," say the Pakistani duo of the music group, Strings, in conversation with INDIA TODAY's Sonia Faleiro in
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