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BOOKS
The Village
is Elsewhere
India's most insightful resident intellectual takes
a revealing detour
By Harish Trivedi
Ashis Nandy, curator
par excellence of the modern Indian self, describes the theme of his new
book as the real as well as mythic journey between the village and the
city. The village may have been for Gandhi the key locale and constituent
of India, but there has since occurred
"a radical and legitimate rejection of the village as that part of
one's self which has outlived its utility", Nandy argues, so that
"the colonial city is now us, the non-village". Nandy quickly
adduces four classic representations of the old village before it ceased
to engage our imagination-Satyajit Ray's Pather Panchali, R. K. Narayan's
Malgudi Days, M. N. Srinivas' The Remembered Village and Raj Kapoor's
Awara and Shri 420, both of which turn the underbelly of Mumbai effectively
"into a friendly village neighbourhood".
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An Ambiguous Journey To The City
By Ashis Nandy
Oxford
Price:
Rs 345
Pages: 146
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Most readers of this book would have been happy
enough to have an analysis of these classic and eclectically chosen texts
as illustrations of Nandy's thesis that the Indian village as seen in
them has now been forgotten.
But Nandy too forgets them nearly as soon as
he has named them. Instead, he strikes out to talk in loving detail of
P. C. Barua, the actor-director of Saratchandra Chatterji's first legendary
film Devdas, of Mrinal Sen of Akaler Sandhane and Khandhar, and in an
unwieldy last chapter, of the flavour of the last half-decade, Partition.
Clearly, the problematic is no bar to Nandy, ranging as sweetly and widely
as he pleases. He ends up writing not an integrated book with all its
ends neatly tucked in but instead (in Tagore's title) Char Adhyay, four
chapters, which his creaky thematic frame does not even seriously seek
to hold together.
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Which is however no loss but a blessing, for
Nandy has now arrived at a stage of puckish unripe wisdom and footloose
reflection where whatever he touches glitters and often even turns to
gold. The two middle chapters on Barua and Sen are marvels of compassionate
evocation of the human tragi-comedy, little biographies of two little
regarded cultural heroes, deftly and engagingly narrated as to provide
a model for aspiring novelists.
And throughout "this intriguing little
book", there are strewn numerous insights quite exquisite and even
exhilarating in their epigrammatic acuteness. "Ours is the age of
the homo psychogeographicus." "Race (in Nazi Germany) was very
nearly a sexually transmitted disease." "Especially among the
Bengali elite, tuberculosis was as much a personal statement as a medical
diagnosis."
Bengal, during Sen's early career, "was
dominated by a comic tinsel Leninism."
Bengal indeed dominates this book, except that
it is sometimes assumed to be "pan-Indian" and even more often
renamed as that new psychogeographical kid on the intellectual block,
"South Asia".
Nandy's ambitious foray into comparing Partition
violence with the Jewish holocaust (possibly the chapter was initially
a lecture he delivered in Jerusalem) does not work out, but that's a rare
false step. On the whole, this entrancing little book blithely confirms
Nandy's stature as probably the most suggestive and accessible, the most
insightful and delightful of our resident Indian intellectuals.
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South
India: The Rough Guide
(Rough Guides, £12.99)
Advice and information on travelling in the South.
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Legion
of the Brave
By D.P. Ramachandran
(East West Books, Rs 250)
The 13-day Bangladesh war fictionally retold.
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Frontier
Travails
By Subir Ghosh (Macmillan, Rs 345)
North-east politics.
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Get
Published
By Usha Rajagopalan
(Oxford, Rs 295)
Indian writers' handbook.
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Life
in Mumbai
By Vasoo B. Dholekar
(English Edition, Rs 495)
Illustrating life in the great metro in black and white.
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Madhya
Pradesh
By Raghu Rai, Ashok Vajpeyi, Anil Sharma
(Madhya Pradesh Madhyam, Rs 1350)
Photographic interpretation of the state's culture and society.
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Portrait
of a Martyr
By Bal Raj Madhok (Rupa, Rs 195)
A biography of Dr Shyama Prasad Mookerji.
A sketchy, patchy celebration of a passionate Calcutta lover
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