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Escape
to Victory
Down and virtually out, India create a miracle at the Eden Gardens to
stun the Australians and break their winning streak.
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THE
ARTS
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Mixing
Metaphors Music, dance,
and tourism synthesise in the famed textile centre of Maheshwar to provide
sustainable synergies for its growth.
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OTHER STORIES
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Home |
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METROSCAPE
Jazz By The Mum-bay
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| ROCK AWAY THE BLUES: The laid-back Aussie band
Hoodangers Sexter |
The backdoor entry
of bhangra in the extended version of Brubeck's classic, Take Five, probably
originated there. So who cares if "Jazz Yatra", the 23-year-old
ragtime carnival, has rather insipidly changed its name to "JazzFest
India" this year. It didn't slow down the crowds. At the Mumbai version
of the fest last week, spread over five days and three venues (St Andrews
Auditorium, Sophia Bhabha Auditorium and Oberoi Hotel) groups from as
offbeat as Lithuania and as overrun as the US swayed crowds with their
editions of contemporary and traditional jazz. Daninius Pulauskas Sextet
(the Lithuanians) merged both electronic and non-voltage sounds into purposeful
fusion, while vocalist Fay Victor from USA teamed up with both the Xavier
Fernandes Trio and the Louis Banks Trio at separate performances. The
Eastern touch came courtesy the Japanese Yuko Fujiyama Quartet, inflated
with notes by flautist Masami Nakagawa. But the scenestealers would have
to be the laid-back Hoodangers Sextet from Down Under who confessed that
they'd spiced up time-honoured 1920s riffs and street scene New Orleans
Jazz with funk, reggae and boogie woogie to give their music a danceable
edge.
-Natasha Israni
Factory Produce
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STEEL
A MOMENT: Brit Gibbons (left) with
his five-piece milestone sculpture; and Mumbai-based Jani with Gurdas
& a dream, about an enslaved servant's sexual fantasy |
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If professor Vincent
Barre from France really had to baptise the curving shapes of his cold-rolled
milesteel sculpture, it would be the slogan: "Without accidents,
you gain no sorrow, no suffering, no pain". This sentiment may not
have been the original inspiration, but Barre could not help these words
from seeping into his creative psyche-they were dutifully scrawled on
the factory wall just behind the designated work area. At "Steel
Works", a four-week international artists' residency initiated by
the Jindal Art Foundation at JISCO's plant in Thane, near Mumbai, three
other artists also found factory life impacting their work: the UK's Professor
John Gibbons who carved an elaborate five-piece milesteel sculpture with
a 61-ft long pole, Mumbai's Jehangir Jani who used hot-rolled plates to
make Gurudas & The Dream, and Delhi's Subodh Gupta who created illusory
and three-dimensional effects with fabricated steel boxes. Some inspiration,
some muse.
-Natasha Israni
VIRTUAL
REALITY: A huge arm of an alien monster pulls
Tommy Lee Jones in Men in Black. Cut! "Special effects," says
CEO of Platinum Studios Scott Rosenberg, "is fun." When leading
animators and special effects experts shared the SFX magic at a meet during
EGO (Entertainment Graphics Organisation)-2001 in Chennai last week, it
was more than fun. Tamil film director Singeetam Srinivasa Rao felt SFX
would help him avoid dealing with actor tantrums. And Tamil writer Sujatha
asked if the real actor would be replaced by SFX. EGO-2002 may have some
answers.
-Arun Ram
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METRO TODAY |
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Web
Exclusives |
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A bloody crackdown on Naxalites in the south-eastern
fringes of Uttar Pradesh proves that only developmental programmes, not
guns, can help fight the menace. INDIA TODAY's Special Correspondent Subhash
Mishra explains why in
Despatches.
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