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June 18, 2001
Issue


India Today, June 18, 2001

 

COVER
   

Love And Death In Kathmandu
Who killed King Birendra and his family? Evidence points to a crown prince gone berserk over a love affair. Not only does the new ruler, King Gyanendra, have to win over the people, he also has to address the unpopularity of his own son. Report from a country in crisis.

 

 
STATES
   

The VIP Catalyst
The sluggish rehabilitation work in the earthquake-hit areas of Kutch picks up momentum with the visit of Prime Minister Atal Bihari Vajpayee to the region. Now there is hope for the victims as well as plenty of sops.

 

 
BUSINESS
 

Premium Drive
Despite the current slump in demand, a host of new premium cars are ready to hit the Indian roads in the coming months.


 
CYBERSPACE
 

It's WWWar
With enemy hackers on the prowl, the new battleground for India is the Internet.

 

 
OTHER STORIES
     
 



 
  Home  
 

LIVING: UPHAAR

No End To Agony

 

"The charm has gone out of my life."
HARISH DANG

Dang lost his wife Madhu, 35, and son Moksh, 10. "Familial pressure", he says forced him to marry. His new bride Anjali (left) says, "celebrations aren't forbidden. But the atmosphere at home is such that one doesn't feel like doing anything."

 

Das says Vikas Kumar reminds him of his son. Skinny and bright. Before he lost his father, Kishen Lal, Kumar had wanted "to be someone". He is, of course, the studious boy who reluctantly metamorphosed into a brave man. The boss of a store whose shelves are stacked with dusty crockery and bandaged jugs and bowls of twine and brushes. Supplying wedding material is seasonal work that throws up about 16 assignments over eight months. The rest of the year Kumar is an odd-jobs man, trawling the colony in search of paying errands. At his seat by the door, staring blankly outside, he looks very young indeed. Like he should be in a college canteen drinking a Coke, not at work; not forced to gather dowry for his sister's wedding; or sending his younger siblings off to school each morning. From where Kumar sits, looking at the crumbling road that leads out of Shakarpur it's a long way off to where he wants to be and where four years ago, he could have been.

The agonising regret is palpable elsewhere too. In an apartment in south Delhi upon entering which crippling questions slowly seep off the walls. Does a mother remain a mother even after her children are dead? How long can one nurture pain? A year, two, four? How about a lifetime? There will be no more children in Neelam and Shekhar Krishnamoorthy's home and when the couple grow old, the thought of which "sends a chill" down Neelam's spine, they will be alone. With only a room full of posters and a Hulk Hogan doll and costume jewellery and lipsticks crumbling in their dusty, cracked tubes for memories. "We wanted to commit suicide," says Neelam, staring at the wall. "But we won't. Not until we receive justice. And we will receive it because we have our children, Unnati and Ujjwal's spirit and support to guide us." It's the most painful impetus to turn crusader overnight.

 

"I wanted to be somebody. Now I have no hope."
VIKAS KUMAR

Before his father Kishen Lal's death, Kumar, 20, wanted to be an IAS officer. He now runs a store, studies via correspondence and is the family breadwinner.

A few kilometres away in South Extension, Harish Dang and his second wife Anjali are curled up on a sofa reading a newspaper. The Dangs' drawing room complements the mood of the household in a manner they couldn't have anticipated. It's blue. Blue as the sky as the seas as the shirt on Harish's back. Anjali's voice is firmer than that of her husband, just like one would imagine her grasp would be. But she's never had to be as strong as he has. When Dang lost his wife and son he had no time to grieve. His daughter Resham, then 6, survived the fire but remained unconscious for seven days. Now she keeps to herself, rarely elucidating her thoughts. Dang's second wedding in a temple in 1999 was attended only by immediate family members. What was going through the bride's mind when she stepped across the threshold of a house where death had long overstayed its visit? Where the room she would sleep in each night was dominated by the photograph of her husband's first wife. "We had substantial talks before we married," says Anjali. "I knew what to expect." She looks at her husband, "He's a nice man," she says. Dang doesn't smile. "Now Anjali puts roses on Madhu's photo," he says.

 

"Life goes on. Bills have to be paid, food has to be bought."
KANWALJEET BHALLA

A wife at 19, a widow at 49 and the boss of her husband's construction company a few months later, Bhalla, seen here with grandson Ishbir, won't consider remarriage. The scarcity of money and the loneliness though is petrifying. "You know what it's like for a single woman in India." Prey for everyone. But Bhalla's four children will never feel the void. "I am now their father and mother," she says.

 

Marriage is not an option for Kanwaljeet Bhalla. There's simply too much to do. The grief cycle-denial, depression, bargaining, anger and acceptance-to live through, and her children to live for. "When my husband was alive and I needed money, all I had to do was go to him and stretch out my hand," she says miserably, staring at the bulky, yellowing fan above. "Now I have to think thrice before buying anything." But Bhalla, acting as any mother would, says she's willing to grieve on behalf of her children as well. So Bindiya, Payal, Jasjit and Mala can dream big, become anything they wish and be anyone they want. And when they feel the pinch, all they have to do is go to their mother and stretch out their arms.

On June 13, AVUT's members will gather at Smriti Upavan at Uphaar. At this tribute of flowing water on concrete bearing the names of those who died, they will perform a havan and a shanti paath. "Life can only be understood backwards but must be lived forwards," said Danish philosopher Søren Kierkegaard. Four years later, that's exactly what Uphaar's bereaved are trying to do.


 
 
 



     METRO TODAY
 
   

MetroScape

Theatre Of The Abused
Mahesh Dattani's 30 Days in September, a 90-minute play commissioned by Rahi, a Delhi-based support group for adult victims of sexual abuse and incest, opened to packed houses this weekend at Prithvi Theatre in Mumbai.
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Looking Glass

Bangalore Resort:
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Bangalore Skating Rink: Megabowl

Delhi Theatre: Theatre workshop

Kolkata Store: Westside

 

 
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