July 02, 2001
Issue



COVER
   

The Luckies
The Labelled, Urban, Chilled, Kicked-with-life Indians are here. The most fortunate ever if only for the choices before it, this generation is glib, global, cocky and informed-and chases success with an awesome spending power.

 

 
STATES
   

Wages Of Peace
The Centre's decision to extend its cease-fire with the NSCN(I-M)
to three other north-east states leads to large-scale violence
in Manipur.


Man Of Letters
Chief Minister Naveen Patnaik's skill with the quill has the PMO busy acknowledging his missives. And on occasion agreeing to his demands.

 

 
NEIGHBOURS
 

Civil Lines
Pervez Musharraf's assuming the office of President is being seen as a bid to legitimise his position. A look at what this means in the context of his India visit.

 

 
DIPLOMACY
 

Peace In Pipeline
India wants to put on Iran the onus of ensuring safe transit of gas.

 

 
OTHER STORIES
     
 



 
  Home  
 

METROSCAPE

 

MEDIA MOGUL: Mumbai-based Jitish Kallat, 27, has a decided preference for mixed media, but his foundation still remains the faithful canvas smeared with fussy compartments of shellac, house paint glitter... almost everything except conventional material. In "General Essential" at Bangalore's Sakshi Gallery (on till June 28), the painter uses stencils and templates and the effect of an erring colour facsimile to chronicle the wretchedness of Mumbai's residents, the figurescapes often dotted with trendy embellishments like markings, comments, speech bubbles and superimages (below). Summer shows are usually notorious for their store room regurgitations, so it's somewhat of a surprise that Kallat's paintings are all new.

Metro Minutes

Don't trust TV ads that show people jubilating in the rain. Or if you do, don't fool yourself into believing the shots were canned in Mumbai. This monsoon season the only dancing happening in the city is one of violent rage. After repeatedly insisting that 80 per cent of the city's drain desilting had been completed, Brihanmumbai Municipal Corporation (BMC) Commissioner K.C. Srivastava finally coughed up the truth: 80 per cent wasn't good enough. What's more, the toughest pair of galoshes won't protect citizens from widespread water logging, potholes, traffic and rail jams and even drowning. But higher powers have taken note of the problem. Low lying Breach Candy hospital, where A.B. Vajpayee was convalescing, is water logged and as a result, the amiable Prime Minister was being swamped with complaints. Now if only he'd use this free time to make sure the BMC sticks to its one-week deadline.

It's really more about mathematics than art. From May 5 till November 11, 2001, art historians and filmmakers Benoy K. Behl and Sangitika Nigam and a crew of three will attempt the rather herculean task of documenting The Paintings of India, commissioned by Prasar Bharati. The 26 documentaries on the evolution of the art from pre-history to the present will necessitate 58,000 miles of travel across 100 destinations.

When Punjabi bhangra star Sukhbir Singh kept his date with a 30,000-strong crowd in Islamabad last weekend, he had little idea of the debate his tunes would ignite. According to Pakistan's The Dawn newspaper, Sukhbir assumed "the role of a gospel preacher for the youth". The singer is no stranger to the country. Having apparently made 31 prior visits, he describes himself as "60 per cent Pakistani". Now if he'd only drop by Agra.

True resilience manifests itself in many ways and in the case of actor Chunky Pandey, it's led him to Dollywood, the Bangladesh film industry. Pandey, who insists that he's the first Indian actor to have found his way over the border, is a favourite with local hot-shot producers like Kamal Zamaan and Sadiq. His films include Shaami Keno Aashaami, Meero Maanush and Kasam and involve the talents of actresses Rituparno Dasgupta and Neelam among others. Pandey's other Dollywood pastimes include performing on stage. What's next? Lollywood?

Cast System

Sinha

What would a film with Shabana Azmi, Jaya Bachchan, Deepa Sahi, Nandita Das and Sulabha Deshpande in the lead be like? To get an idea, one only has to watch Bengali filmmaker Tapan Sinha's new feature, Daughters of This Century. At a special screening in Kolkat last week, Sinha unveiled this curious five-in-one film: five short, disconnected stories that make up a full-length feature. Something like watching five episodes of a serial at one go. The stories are strung together on the theme of exploitation of women taken from five literary works because, as Sinha says, "It was difficult to find any one novel that could show the changes and attitudes of a 100 years." The representative pieces-Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch-would have been just as evocative without their star leads. But Sinha thought of these five actresses simply because they are "very, very competent". Not to mention their box office draw.

WOMEN IN TROUBLE: Bachchan and Sahi in Daughters of This Century

But the box office will have to wait awhile for Daughters... Sinha, who made the film in Hindi for "a worldwide audience", might have it doing a round of the festivals first.


 
 
 



     METRO TODAY
 
   

MetroScape

City Of Sins
If you missed the ambitious take on the world's select metros called "Century City" at the swank Tate Modern in London, an exhibition in Mumbai will fill that gap just a bit.
more...

Looking Glass

Delhi Play:
Back to the Convent

Delhi Decorative Art: D'addomio

Kolkata Restaurant: Thai Tonight

 

 
    Web Exclusives
DESPATCHES
 

A Hare Krishna cult member's spiritual quest meets with a rude end. But he isn't the only one on trial. The credibility of the Orissa police is equally at stake, writes INDIA TODAY's Special Correspondent Ruben Banerjee in
Sleaze And Salvation

 

 
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