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CINEMA: CONTROVERSY
Gadar Over Gadar
Take Sunny Deol in a kitschy, Partition-era romance.
Add religious protests. And put free speech on the boil.
By Sandeep Unnithan
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| FILM AS FIRESTORM: Rampaging anti-Gadar mobs in
Bhopal were led by a leader of the ruling Congress party |
Fleeing a Sikh lynch
mob, a battered Sakina (Amisha Patel) runs into the arms of a burly lantern-wielding
Sikh truck driver, Tara Singh (Sunny Deol). "Hand her over, she's
a Muslim," the mob choruses. "Lo, ab ho gayi Sikhni (she's
a Sikh now)," growls Singh who dramatically smears Sakina's hair
parting with his blood as sindoor.
This pivotal scene in Gadar: Ek Prem Katha,
typical of Deol's son-of-the-soil histrionics, has audiences before some
400 screens across the country on their feet. It has also made the film,
which grossed over Rs 50 crore in its second week, potentially one of
India's most successful ever.
But Gadar, which means upsurge or rebellion,
has also attracted protest from Muslim groups across the country, particularly
in cities with a recent history of religious strife; cities such as Mumbai,
Ahmedabad and Bhopal. Loosely based on the Partition-era love tragedy
of a Sikh called Buta Singh, Gadar tells the story of a poor truck driver
marrying an aristocratic Muslim girl in the backdrop of August 1947. Post-interval,
Deol enters Pakistan to rescue the girl from the clutches of her evil
politician father Ashraf Ali (Amrish Puri).
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EPICENTRE
Scenes
that Singe
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A
man instigates the mass murder of Sikhs and Hindus boarding a train
to India. "Buddhe, jawano ko maar dalo ... Chhodna mat kisi
ko ."
Tara
Singh smears a sindoor of blood on Sakina to save her from a murderous
mob. "Yeh Musalmani hai? Lo, ab ho gayi Sikhni."
Sakina,
in Pakistan after being forcibly separated from Tara Singh and her
son, reads the Quran with sindoor in her hair.
Not
satisfied that Tara Singh has agreed to convert, his father-in-law
Ashraf Ali asks him to say "Hindustan murdabad".
BAL
THACKERAY
"There is nothing objectionable ...
that merits a ban."
on Gadar, 2001
"Societywallahs
talk about democracy. What of the public?"
on Fire, 1998
GOVIND NIHALANI
"It shows how intolerant society has
become of dissent."
on anti-Gadar protests
"we
are witnessing the emergence of a Hindu Taliban."
on anti-Fire protests
SHABANA
AZMI
"It reinforces canards but deserves
to be screened."
semi-defending Gadar
"The
sign of healthy democracy is to accommodate dissent."
defending Fire
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"How can they show a Sikh applying sindoor
on the forehead of a Muslim girl? This and many other scenes in the film
are calculated to provoke Muslims,'' argues street vendor Abdul Sattar
in Ahmedabad. Sections of the community seem to have held fast to Sattar's
belief right from the film's June 15 release. Sporadic incidents of violence
and arson marred the first week's shows in half a dozen theatres in the
twin cities of Ahmedabad and Gandhinagar. Muslims and Hindus came to blows
before the police dispersed the mobs. In Sangam theatre, groups of Muslims
hurled petrol pouches on the screen before setting it ablaze. Stopping
the show, the arsonists trooped out and set two scooters on fire. The
owner of the theatre stopped the screening for two days before the state
government assured him police protection.
On Monday, June 25, Bhopal teetered on the brink
of a repeat of the post-Babri Masjid riots of 1992. A mob of 400 persons
led by the president of the district Youth Congress, Arif Masood, used
petrol bombs, swords, rods and stones to attack a cinema hall screening
Gadar. A police constable was greviously injured and dozens received minor
wounds.
Deol reacted to news of the violence with anguish:
"What is sad about the protests is that they were started by cowards,
but it is innocent people who are being hurt." Not every reaction
was as stupefied. Gadar became the newest political hot potato.
It's a familiar script and a worn-out template.
The cast of characters for and against Gadar have periodically locked
horns in films like Bombay, Fire and Water in the past few years. Writing
in his party mouthpiece Saamna, Shiv Sena chief Bal Thackeray said there
was nothing objectionable in the film. Hindu organisations see a conspiracy
behind the protests. Said Sanjay Nirupam, Shiv Sena MP in Mumbai: "The
film shows Indians as tolerant and Pakistanis as communal and conservative.
If Indian Muslims oppose the film, it only means their heart is closer
to Pakistan."
The Shiv Sena was suitably provoked when the
little-known Mumbai Regional Muslim League shot off a letter to Maharashtra
Chief Minister Vilasrao Deshmukh asking for a ban on the film or the deletion
of its objectionable scenes. "The film is biased towards Hindus,"
charged League president Mohammed Faruque Azam. "It shows the suffering
of Hindus but not that of the Muslims who are depicted as rapists and
murderers." Azam was the first to raise the point about Patel's screen
name, Sakina, being defamatory to Islam since it was the name of Prophet
Mohammed's daughter. As Zee TV-its sister company Zee Telefilms has produced
Gadarwas quick to point out, the Prophet's daughter was called
Fatima. Sakina, scholars say, was the Prophet's great granddaughter.
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