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METROSCAPE
Hall Of Flame
The fire which swept
through the first floor of the century-old Indo-Saracenic building housing
the Brihanmumbai Municipal Corporation in January last year incinerated
a portion of its crown jewel-the civic corporation hall. A stone balcony
had collapsed, nearly a dozen oil paintings of city fathers destroyed
and the walls and gilted ceilings coated with soot. Responding to the
BMC's clarion call, the conservation architects of the Indian National
Trust for Art and Cultural Heritage (INTACH) stepped in.
The
cost of restoring the ceremonial hall was pegged at Rs 3 crore and research
began in September last year. "We spent a month analysing paint samples
to find the original shade of olive-grey," says intach's Tasneem
Mehta. Architect Nicholas Thomson, who helped restore UK's fire-ravaged
Windsor Castle, lent his expertise as did several British museums. Actual
restoration work began in November. The ceilings were re-gilded with 22
carat gold worth Rs 14 lakh, original crests matched and painted and the
fire-damaged Burma teak doors replaced.
Over six months of painstaking work later, the
Victorian hall was ablaze again last month. As the mayor and 226 municipal
councillors trooped into the hall of Urbs Prima In Indis-India's first
municipal corporation-they had another surprise waiting. The restoration
cost just Rs 1 crore, or a third of the original cost.
-Sandeep
Unnithan
Cell And Stage
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| Chatterjee (centre) in Nilkantha |
The thought must
have crossed many minds: what does a cellular service provider have in
common with theatre? But Command-one of Kolkata's two cell-phone operators-had
done its homework before organising Odeon 2001, a theatre fest held recently.
Snap polls showed that the leisure activity Kolkatans enjoyed most were
plays.
Theatreperson Sohag Sen, who acted as consultant
for Odeon, says she followed a pithy brief: plays that every category
of subscriber could relate to. So there were three-a Bengali one called
Nilkantha, directed by actor Soumitra Chatterjee, a Hindi play, Khubsoorat
Bahu, and Lilette Dubey's Dance Like a Man. Sen claims there was no time
to select debut plays, but hopes that since this could be an annual event,
the next one might be better planned. For those still trying to, well,
make the connection between the stage and a cell, here's how it goes:
after plays were finalised, the hosts SMS-ed subscribers. And sold out
all shows in the first half hour.
-Labonita
Ghosh
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