July 30, 2001
Issue


 

COVER
   

Hit And Run
After two days of intense discussions and frenetic speculation, the Agra summit failed to reconcile the differences between the two countries. The inside story of what really happened. Were the two sides ever close to a settlement? What will be the consequences of a failed summit?


Gotcha!
That was the attitude of Pakistan's media managers who won the misinformation war against India.

Ominous Aftermath
The failure of the summit heralds more bloodshed in Kashmir. The average Kashmiri has much to fear.

 

 
BUSINESS
   

A New Cleaner
UTI's new chief, M. Damodaran, is gearing up to restore its credibility and make it less of
a casino.

 

 
SPORTS
 

What's The Game?
Lack of planning may reduce the Rs 100-cr sports meet to a mere PR exercise.

 

 
SCIENCE
  White India
A controversial genetic study says upper caste Indians are closer to Europeans and lower castes to Asians.

 

 
OTHER STORIES
     
 



 
  Home  
 

MUSIC: MUSINGS

REVERBERATIONS
A Musical Shame

 

 

Lajja: Universal: Rs 55

It must be difficult to maintain originality when music directors churn out one album after another on an assembly-line basis. Anu Malik's latest release Lajja, scores for a film by Raj Kumar Santoshi, makes a good case study. And don't be mistaken. The film is not based on Taslima Nasreen's controversial novel-only the name is borrowed.

The first song in the album Aa hi jaiye by Chennai-based singer Anuradha Sriram is a fast number interwoven with sargams and a chorus. It is not very different from Yeh raat (Aks) and its use of rhythm has a similar beat too. Sriram's voice has verve and exceptional range covering all three octaves. Saajan ke ghar jana hain is a light dance number by Alka Yagnik, Sonu Nigam and Richa Sharma, but one is left with a feeling that Sharma's powerful voice could have been better exploited.

After a long break, Anuradha Paudwal's voice is heard again in Kalyug ki Sita, a somewhat cliched ode to Indian womanhood. The same song has been sung by classical singer Shubha Mudgal who tries her hand at all forms of music, including playback singing. "Anu Malik gave me the freedom to sing in my own style. Besides, it is challenging to sing to someone else's tune," says Mudgal. But Malik has not handled Mudgal's bass voice to best advantage. It is a high-pitched song in Manjh-Khamaj raga where she struggles to reach the high notes. This number stands out as a sore thumb in the album.

The last number by Lata Mangeshkar Kaun dagar is set to a slow pace. No sparks of brilliance here either, despite Illayaraja's score. A disappointing album.


SCREEN N SURF
Tune in to Folk

Folk music is the music of the masses and the true rhythm of India pulsates in its myriad folk traditions. To know more about this diverse and rich tradition, log on to the neatly designed website www.beatofindia.com.

Every season and every event has a folk song associated with it-be it the birth of a child or a marriage or a funeral. Clicking on the "Form" icon leads to a glossary of types of songs. For example, Ropni is sung by women while they sow paddy or the better known ones sung during the rains.

Folk singers tend to remain invisible. This site remedies that by including a list with photographs of the singers. It would have been more useful if their addresses and backgrounds were also made available. The site also offers free tickets to concerts and subscription to an e-newsletter on the happenings in the folk music world. An exhaustive site.

HOT TRACK
LADIES AND GENTLEMEN,
Lou Bega (BMG Crescendo; Rs 150)

After his rather tepid concert tour of India last year, it's tempting to dismiss this man. Can't. If Lou Bega made you smile with A little bit of mambo in 1999, the grin will give way to guffaws when you hear this album. Ladies and Gentlemen is a 16-song collection that, if nothing else, will tickle female listeners no end. Having told us already that he has got a girlfriend everywhere ("... a girl in Paris, a girl in Rome, I even got a girl in the Vatican dome ..."), he proceeds to make a far more candid confession this time round. "I'm just a gigolo," he lets on in the first track. And as if that weren't enough, he goes on to warm the hearts of feminists with God is a woman, so that it's hard to figure out whether to be irritated or amused with the crudeness of Baby keep smiling ("I put on my glasses and tell you how sweet your ass is ...") But what the heck, the tunes are catchy, he even manages to capture the old Pat Boon feel in some of the numbers. Wish he had it in him to stir up an Indian crowd.

Arrivals

Nari Nari (BMG Crescendo; Rs 75)
Ten Egyptian numbers by Hisham Abbas set to Indian percussion instruments and sitar.

 

Classics Forever (HMV; Rs 40)
It's yesterday once more, Bollywood style. The album includes film dialogues with songs.

 

Melodies on Piano (Archies Music; Rs 60)
Piano rendition of Hindi film tunes by Preet Raj Singh. Good for a quiet evening.

 

 

Feng Shui (Times Music; Rs 295)
Lord Buddha's eight-fold path interpreted musically by Chinmaya Dunster. Good health through good music.


 
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