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MUSIC: MUSINGS
REVERBERATIONS
No Monkey Business
This is a departure
from the usual for Karadi Tales. The series has so far been a source of
Indian fables for children with its audio-cassette-and-book combination.
Earlier this year though, it ventured into Indian mythology. Young Hanuman
and Hanuman the Mighty are the third and fourth additions to the Karadi
Tales mythology library with playwright-director Girish Karnad as the
sutradhar, Karadi the Bear. He succeeds Naseeruddin Shah, Saeed Jaffrey
and Gulzar.
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| Young Hanuman and Hanuman the Mighty; Sky Music;
Cassette & book; Rs 125 a set |
As usual it's a charming mix of song, narrative
and colourfully illustrated text with Karnad's smooth voice complementing
the light, foot-tapping music composed by the 3 Brothers & A Violin
group. Karnad does not sing, but C.P. Viswanath, one of The Brothers who
does, sounds so uncannily similar to him that you will find yourself glancing
at the credits to be sure who's who. It's evident that the singing and
speaking voices have been carefully chosen to showcase a range of Indian
English accents so that no young listener comes away from the experience
believing that the propah British way is the only way to speak the language.
But it's a pity that the producers let go of singer S.P. Balasubramaniam
who was simply brilliant in the earlier Rangeela Geedhad and Laloo Bandar
Natthu Magarmach stories. Gulzar's polished choice of words was another
high point of those two tales; Shobha Viswanath's script and lyrics for
Hanuman do not quite match up to either Gulzar or to her own earlier work
on Karadi Tales. The two Hanuman titles are not the best the series has
offered so far. But they should not be missed either.
Anna M.M. Vetticad
HOT TRACKS
SACRED MEMORIES OF THE FUTURE,
Cybertribe (Times Music; Rs 100)
In the Dream Time,
the world was empty and flat. Then creatures began to emerge from the
earth. They made the first songs and the didgeridoo.
Cybertribe's
Sacred Memories Of The Future combines the Australian aboriginal wind
instrument of legend with synthesiser sounds to make music that is somewhere
between ambient and trance. To the aborigines, songs are memory. The eight
tracks attempt to project memory into the future: from a number called
First contact through to Voices from a distant planet. A line from Osho
on the jacket, "This planet has been visited by other planetary beings..."
indicates the line of thought. The drone of the didgeridoo is a constant
in the album. Turn down the volume and it becomes a hypnotic faraway sound
like jungle and ocean. Turn it up and it's definitely trance with a beat
one may even dance to.
Fusion music fans will want Sacred Memories
for its world beat. For the others, it's a quirky album, in equal parts
strange and charming.
Samrat Choudhury
SCREEN SURF
Taste Of India
The
name of a website and its contents do not always relate to each other.
But happily, in the case of www.musicindiaonline.com they do. This regularly
updated site has categorised music into Carnatic, Hindustani, jugalbandi,
light and regional. For example, the Tamil film section lists all the
new releases. The Hindustani and Carnatic music sections have been further
divided into instrumental and vocal. But what is missing is folk music
which is the real beat of India. An interesting feature is the "Get
Comfortable" slot. Here you can mail a song or share it with a friend.
For those who like debating on musical issues there is forum to exchange
views. It has the usual features-film countdowns, what's new and offers
for personalised albums. With its excellent search facility, the site
is a boon for music lovers.
S. Sahaya Ranjit
Arrivals
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Kuch Kehta Hai ...
(Universal; Rs 45)
Compilation of rain songs from films-to remind you of the refreshing
monsoon showers.
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Pandit D.K. Datar
(HMV Saregama; Rs 65)
The master of classical violin presents timeless ragas with grace,
colour and spiritual depth.
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Bhaktamar Stotra
(Times Music; Rs 55)
Stotras sung by guru-disciple duo of Pandit Jasraj and Ratan Mohan
Sharma.
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Kamli Hoi
(HMV; Rs 65)
Shafqat Ali Khan of Pakistan with the beat of Punjabi pop-on both
sides of the border.
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