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BOOKS
Book Of Soul
Amrita Pritam violates the grammar of memories
By M.
Mukundan
Amrita Pritam's
Shadows of Words is no ordinary autobiography. A few pages into the book
and you tell yourself she is violating the grammar of memories. Autobiography
is the art of remembering and a good autobiographer adheres strictly to
grammar. But how can you expect Pritam, who has scant respect for syntaxes
and idioms of life, to follow the rules of writing?
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SHADOWS OF WORDS
By Amrita Pritam
Macmillan
Price: Rs 245
Pages: 176
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To say that Shadows of Words is a sequel to her
earlier autobiography Rasidi Ticket is pointless, more so since it doesn't
progress along linear time. It is more of a fragmented dream. Not a word
about her birth, school days, family, marriage and old age. What Pritam
remembers is the history of her soul and her poetry for they are inseparably
blended.
In the 13 chapters
of the book-all have titles prefixed with the word "Shadows"-the
author reflects on subjects as diverse as birth and death, religion and
weapons, dreams, ancient memories and authoritarian power in an extremely
subjective manner. The book also contains numerous poems and two short
stories.
As
Pritam's very raison d'etre is writing, it is quite natural that she uses
all forms of writing. Above all this is an ode to relationships of all
kinds-between man and woman, birth and rebirth, earth and sky, present
and past, poetry and love. Sahir Ludhianvi is an invisible river that
runs through her, nourishing her poetry. He is an intense poetic presence
in the book. There are also versified images of another man in her life-Imroz,
who stepped into her life "as a concrete reality". And all her
relationships, she claims, reside outside the body. Of Sahir, she writes,
"In that long relationship over the years, it was only the heart
which was beating through the verses ..." This is a book of soul
and heart and the absence of the body is intriguing all the more since
the author is the daughter of Punjab, a land known for its unbridled celebration
of life in all its earthiness.
Pritam's perception of the world is through
poetry. Everything, even history, percolates into coagulated poetry. There's
something mysterious about all good poetry. Perhaps that is why in this
book there are only shadows: "Shadows of the word were seen on the
moon." Thanks to Jyoti Sabharwal's sensitive transcreation of the
Hindi original, countless non-Hindi readers get a chance to read this
book-and they will hold it close to their hearts.
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