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METROSCAPE
Dancers In Distress
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| STEPS
OF TRADITION: Shete captures the tamasha dancers of Maharashtra |
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The b/w images recall
their lives. Quite unremarkable till the lights come on. But under the
yellow hues, when their limbs moving in rhythm to the loud music, they
are a transformed people. The poignant
tale of Maharashtra's folk dancers is being explored in "Dancing
Maidens", an exhibition by photojournalist Shirish Shete displayed
at Mumbai's Piramal gallery.
Shete took over two years for this ssignment,
travelling to the state's rural innards to track the nomadic life of the
dancers.
With a portable temple, a fleet of cooks, brassy
Paithani saris and bawdy humour, the troupe tours for several months at
a stretch, passing through towns and villages to source a style of entertainment
that has fewer and fewer takers. "Life for them begins after dusk,"
says Shete. You wonder for how long.
Himashi Dhawan
Camp Language
The
Mysore Sales International, a Karnataka government undertaking, is taking
its side job as an art promoter seriously. After a successful experience
in Chikamagalur, a second artist's camp was held at the medieval town
of Hampi with 18 participants, including Delhi's Arpana Caur, Kolkata's
Jayashree Chakravarti and Chennai's C. Douglas, a conscientious pan-India
representation. Says the highly motivated I.M. Vittalamurthy MSIL's MD:
"We're planning an art gallery soon but wanted to have camps to give
artists a relaxed atmosphere to work." News is that artists are already
lobbying for a place in the next camp.
Stephen David
Lounge Ladies
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FOR THEATRE'S
SAKE: Narayanan (right ) with Anuradha Chandan in An Eviening
to Remember
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Lounge bars have been the hottest thing to hit
Mumbai since its notorious occupants, lounge lizards, made their debut.
Now here's another in the lounge series-lounge theatre. (Preceeding lounge
music, lounge workshops and lounge cooking.) Last Sunday, Mumbai's resto
bar-cum-lounge Athena had a makeshift stage for Space Theatre Company's
one act-play, An Evening to Remember, directed by Neville Dadachanji.
Notable performers were Femina Miss India 2001 contestant Suvarchala Narayanan
as the sultry Nina and TV actor Romi Jaswal as the comic Kenny. Fortunately,
the plot of this Mumbai-centric adaptation of a Vincent Geoffrey play
was engaging enough to cause a neck-strain to audiences seated on oddly
arranged seats. It revolves around three schoolfriends who meet for dinner
when suddenly the news of Nina's arrest for shoplifting brings their friendship
to a test. Given the gimmick, seems like a testing time for theatre as
well.
-Natasha Israni
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