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METROSCAPE
Energy Spin
Oorja. Literally,
energy to create. A bunch of students from Bangalore's J.D. Institute
of Fashion Technology took the theme rather seriously. Each presentation
at the city's Le Meridien had a natural theme: Likwid, Ecstasy, Natural
Cosmos, Chameleon, Sakhi, among others. And, don't ask why, Humanism Against
Terrorism-which, apart from models mouthing "Aloha!", seemed
every bit Hawaiian. That apart, the show
had plenty of ethnic wear-Ashok Maanay's Holi-inspired ghaghras in silk,
organza and tussar, embellished with floral zardozi and aari work, and
Sadhana Apte's pastels and embroidery. Says Sona Bose of the institute,
"This is the easiest way a young designer can make his or her presence
in the industry." Exude enough energy to attract the fraternity's
wayward attention.
Stephen David
Reign Of
The Stars
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WINNING SMILE: Radhika with husband Sarath Kumar and Ravikumar.
Sarath received the newly instituted Sivaji award
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It was Jo-not sprinter Flo Jo or bare-all J Lo
but home grown Jyothika-who was the unclouded favourite among stars in
the south Indian sky. At the Hero Honda 21st Cinema Express Awards in
Chennai's Nehru Stadium, besides the whistles and cheers, she also walked
away with the best sensational actress honour.
The evening started with veteran Nageshwara
Rao from Telugu cinema being awarded for his 60-year service to filmdom.
And in between sizzling stagings by Rambha and Mumtaz were awards for
Ajit Kumar (best actor), Meena (best actress), K. S. Ravikumar (best director)
and Radhika (women achiever), among others. After the starry night, of
course, it was back to lashing rains in the otherwise clouded city.
Kavitha Muralidharan
Textile Tales
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GETTING BEHIND THE FABRIC: Dhamija
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Jasleen Dhamija has to just look at a textile
to know the cultural heritage of the people who made it. But the art historian/crafts
expert/ former UN worker (Dhamija eschews labels) didn't get to that stage
in a day. In the 1960s, when she was working with the Handicrafts Board,
Dhamija realised it wasn't enough to appreciate a craft. "I had to
know about the socio-economic background of the artisan too," she
says.
That often meant varied experiences: from taking
a bullock cart ride into an interior village to check out black pottery
to devising self-help programmes for war-torn Balkan women. Last week,
she tried to take Kolkatans in that direction as well-telling them to
look beyond beautiful embroidery at the people responsible for it-with
a talk called "Wrapping and Draping: From Life to Death". Some
interesting highlights: the pagri is an inter-generational bond; the Bengali
sari, in the way it is worn, automatically accords a woman motherhood
status; the Maharashtrian "kashta" could well be an indigenous
chastity belt; the "misunderstood" veil actually stands for
empowerment not subjugation-women can chose who to reveal themselves to.
In these Taliban times, Dhamija's tips are certainly an eye-opener.
Labonita Ghosh
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