October 27, 1997  
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Cover Story

The New Deity of Prose
Continued

INTERVIEW: ARUNDHATI ROY
"Things will be the same"

The day after she received the Booker Prize, and moments before she left for Germany on a promotional tour, Arundhati Roy spoke to Associate Editor BINOO K JOHN over the phone from London. Excerpts:

Has life changed all over again? First, when the manuscript was bought and now, the Booker?

No. Not at all. Nothing will change for me. It will be the same.

It is not often that you are seen in a sari, but you wore a reddish one for the awards ceremony. Was it specially ordered?

I wear saris quite often. In fact, it was an old sari I had worn many times.

Critics viciously attacked your book in interviews in London just prior to the ceremony.

Yes. It happens every year. I don't want to speak about it. There is major politics here.

How have people in England reacted to the book?

In terms of sales it's been fantastic, wonderful. The figure is much more than 50,000 copies.

What about East Europe?

In Finland it's phenomenal, about 70,000. In Germany, it sold about 90,000 copies in the first month of its release. Its biggest success has been in the US.

How have the reviews been in the West?

There has been some bitching here and there.

Do you recall any of them?

I didn't read any of the reviews. I only hear about them from others.

One of the characters in Small Things reviewed the book. Did you at least read that. E.M.S. Namboodiripad thought you libelled him.

No. I didn't read.

Some reviews in the West seemed to have missed the point. One called it the story of the Kochamma family.

(Laughs) Yes, it was in The New York Times. John Updike wrote them a letter saying it was not the Kochamma family.

How do you feel now after receiving the award?

Unfortunately, not too good. People don't let you be. Lots of them bark questions at me, you know how it is.

You are leaving for Germany now. When are you coming home?

At least not till December. I don't want to be home and be harassed by all sorts of people.

After receiving the award whom did you ring up? You rang up your mother, surely?

They didn't let us make calls for a while. When I finally got amma, she was excited, of course. Then I called up the children at home in Delhi. I woke up a lot of people in India at 3 a.m. (laughs).

Are you still in that fairy-tale world?

I have never been in a fairy-tale world.

 

 
FIRST PERSON: MARY ROY
My Daughter and I
Mary Roy with students of the Corpus Christi School, Kottayam, which she set upArundhati is a born talker and a born writer. While she was studying in our school it was a problem to find a teacher who could cope with her voracious appetite for reading and writing. Most of the time she educated herself. I can remember our vice-principal Sneha Zakaria resorting to Shakespeare's Tempest as a text for this little fourth-grader.

Years later Arundhati was overjoyed when I gifted her a Baby Remington typewriter. "Just the right thing for a writer," I remember her saying. Soon she exchanged it for a desk-top computer on which she wrote The God of Small Things.

There was much trauma for me in the '60s as Kottayam did not accept me as I was a woman separated from my husband. We are not divorced, though. I tried to hide the pain from my children. It is only when I read her book that I realised that even at five she was conscious that we were unwelcome in the native home and that I expected her to be able to stand on her own feet, so that she would never be in such a weak position as I was.

Later when she grew up she always stood beside me in my struggles. In the book Arundhati lampoons almost all the people who surrounded her at that time. Some of them might take offence. But she never meant to hurt anybody. Remember, it is a work of fiction. She had drawn the bare bones of the characters from the family. But it is not wise of me to say that I am 'Ammu'.

I am delighted to know that she has won the Booker. Today I am a proud mother receiving congratulations from all over India. The prime minister and President called to congratulate Arundhati.

Arundhati lived with us in a small and rather modern house. Next door was the ancestral house. Spooky, huge, too large to maintain, but to my daughter it must have been an exciting place full of whispering ancestors. I wasn't surprised that it forms the backdrop to her tale. One of my favourite characters in the book is the cigar-smoking, gay planter. He reminds me of our cigar-smoking grand uncle, a chemistry professor, a lover of boys by nature. His wife lived with him and so did a series of young boys. As Diana, Princess of Wales, might have said, the marriage had become a bit crowded.

I remember hearing that one day a young lover of his was thrown out of the house. The old man was devastated. We heard he left home and headed for a hotel where he committed suicide -- cyanide poisoning. The next year on the same day and in the same hotel his lover was found dead -- cyanide again. Tongues wagged in Ayemenem, but no one dared to whisper the word "homosexual". There is a legend about our grand uncle. That he haunted the family estates, his presence forewarned by the scent of cigar smoke. In fact, many claim to have seen him. Eventually, so one hears, a Paravan's (outcaste) wife Parathi, while cutting grass with her sickle, smelled cigar smoke and she shivered. Sure enough, the thampuran (master) appeared. She nailed him to a coconut palm with her sickle. Parathi claims that he never appeared again. But others say the ghost still walks the house.

We did consider this house with its spacious lawns as a setting for the release of the book. But the cloying ambience of the past and whispering ancestors made my lovely school with its exuberant youngsters and its "aliveness" a happier venue.

(As told to M.G. Radhakrishnan)

More

COVER STORY
The New Deity of Prose
JASON COWLEY
Why We Chose Arundhati

 

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